Mozart ZERO to HERO - Daniel Behle

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Sony Classical, 2019
1 CD

Daniel Behle

L'Orfeo Barockorchester

Michi Gaig

Titles:

(La) Betulia liberata, Movement: D’ogni colpa la colpa maggiore

(La) Clemenza di Tito, Movement: Se all'impero

Così fan tutte, Movement: Overture

Così fan tutte, Movement: ~

Così fan tutte, Movement: Un' aura amorosa

Don Giovanni, Movement: Overture

Don Giovanni, Movement: ~

Don Giovanni, Movement: Il mio tesoro

(Die) Entführung aus dem Serail, '(The) Abduction from the Seraglio', Movement: Hier soll ich dich denn sehen

(Die) Entführung aus dem Serail, '(The) Abduction from the Seraglio', Movement: Ich baue ganz auf deine Stärke

(Die) Entführung aus dem Serail, '(The) Abduction from the Seraglio', Movement: Konstanze...O wie ängstlich

(Die) Entführung aus dem Serail, '(The) Abduction from the Seraglio', Movement: Wenn der Freude Tränen fliessen

Idomeneo, Re di Creta, 'Idomeneo, King of Crete', Movement: ~

(Die) Zauberflöte, '(The) Magic Flute', Movement: Dies Bildnis ist bezaubernd schön


"Daniel Behle is a renowned German lyrical tenor and got recently reviewed at the Bayreuth Festival as the ""agile, youthful"" singer, who is in ""good [vocal] form"" (BR Klassik) as David in ""The Master-Singers of Nuremberg"". On his new album he presents the most famous tenor arias by W.A. Mozart - from the loser Don Ottavio to the hero Idomeneo – together with the highly acclaimed, award-winning conductor Michi Gaigg and L’Orfeo Baroque Orchestra. Behle, who has sung Don Ottavio in Don Giovanni or Tamino in The Magic Flute on the biggest opera stages around the world, now releases his first solo recording with Mozart’s repertoire. In cooperation with the L’Orfeo Baroque Orchestra the highly skilled tenor delivers a refreshing interpretation of the most famous and beautiful Mozart arias such as The Magic Flute, Don Giovanni, The Abduction from the Seraglio, Così fan tutte and other operas. ""Mozart - Zero to Hero"" - the title says it all. Certain similarities between Mozart’s musical career and the ordeal of the characters in his operas are not accidental."

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